Point of Pines Cabin dominates the lowest floor of the National Museum of African American History and Culture in Washington, DC. It came from Edisto Island, South Carolina, a coastal island an hour south of Charleston. Edisto supports both a majority White beach town and a majority Gullah residential population, whose ancestors were taken as slaves from Senegal, Gambia, Liberia and Sierra Leone.
I was introduced to Edisto Island two decades ago by Nick Lindsay, my animated poetry prof who made his living building boats and homes on the island. And I’m Glad—an oral history of two farmers that he transcribed—is one of the island’s stand-out histories.
Last summer my wife brought me back to Edisto. She and her family had vacationed there for years before I met them. As an author with German, Jamaican and Chinese roots, Chelle felt drawn to both the island’s simple familiarity and its complicated past. We camped outside of Botany Bay Plantation, a wildlife preserve maintained on land once covered in cotton, worked by slaves.